Object

Saint Peter’s Basilica

The new basilica begun for Bramante in 1506, whose hemispherical dome Michelangelo designed and which was completed around 1590

Saint Peter’s

The Renaissance

The Renaissance was the period of European civilization immediately following the Middle Ages, marked by the revival of Classical learning and the explosion of art, architecture, and humanist thought that began in Italy and spread across Europe. This fact file follows the story from its roots — Petrarch’s sense of a lost antiquity, the proto-Renaissance of Giotto, and the transformations begun in the 12th century — through the Florence of the Medici, where Brunelleschi raised the great dome, Ghiberti cast the Gates of Paradise, Masaccio founded a new painting, and Botticelli painted the Birth of Venus; on to Rome, where the Sistine Chapel, Raphael’s stanze, and a rebuilt Saint Peter’s made the papacy the engine of the High Renaissance; and to the Louvre, where the Mona Lisa and its painter Leonardo da Vinci — bought by François I in 1518 — still hold court. It closes on the period’s contested edges: the fall of Rome in 1527 and the Mannerist 1520s–1600 on one side, and the still-live scholarly debate over periodisation — Vasari’s “second birth,” Burckhardt’s veil, Panofsky’s “Self-Definition or Self-Deception?”, and Denley’s critique — presented here as sourced positions rather than a single verdict. Evidence comes from the Metropolitan Museum of Art, the Uffizi, the Louvre, the Vatican Museums, UNESCO, Britannica, Project Gutenberg primary texts, Gallica, and peer-reviewed scholarship via Crossref.

24/24 claims verified 19 min read·

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